Monday, April 22, 2019

Blue Hour Composite

Final, composite shot.

The warm orange glow of halogen lights coupled with a "blue hour" sky is one of the classic complementary color scenarios and shooting at blue hour can result in some of the most aesthetically satisfying shots.   Additionally, this scenario offers the opportunity to use your imagination and create a shot that doesn't exist, which is my favorite part of photography.  When I got the opportunity to shoot this custom mid-century modern home built in 1959, I jumped at it.

In this case, the backyard didn't have any lighting so shooting the existing scene resulted in at least a third of the shot being a big black hole (below).  Knowing this in advance, it's important to envision the final scene and add light accordingly.  

The light was in my favor, actually, because I only had to expose for the interior of the house and wait for the blue sky to drop into my exposure (ISO 400, f6.3, 0.3s).  If there had been flood lights in the backyard, I would have turned them off because they would almost certainly be a different intensity than the interior of the house and that would create a "hot spot" nightmare scenario.  In this case, I simply set the power of my flash to match the camera's exposure settings.  Once the flash was set, I didn't have to change any settings (camera or flash).

Here are the basics for getting the final shot:


1. Compose shot
2. Set exposure for house interior
3. Wait for sky to drop to your exposure
4. Light trees (camera exposure remains constant, so once appropriate flash power is dialed in, it doesn't change)
5. Composite shots in Photoshop

This is the base shot I used for the composite, the combination of blue sky and orange interior I'm looking for.  You can see how much of the photo is complete darkness.



Exposure is set to the interior of the house, waiting for the sky to drop into my exposure.  Meanwhile, I start lighting the trees. I also used this grass in the final shot.  Also notice the reflection in the windows.  That fades significantly once the light drops into a nice blue.


Lighting the tree on the left.  You can see the sky is starting to drop into my exposure.
  

Lighnting tree on the right.  The sky has actually gone a little too dark in this shot.  No worries, I already have the base shot established.

A little more light on the tree.




Saturday, January 27, 2018

My Worst Photography Experience





I saw a dramatic sky developing and quickly rounded up my camera and gear from the office and headed downstairs to get the dogs ready.  Thank goodness the rain finally stopped, I thought, as I finished putting their collars on and headed out the door.

It was much colder than I thought when I reached the access gate.  I released Buddy and he scrambled under and through the barbed wire like an elite athlete as if it weren’t there.  I’ve never understood how he gets his body low enough to sprint under the lowest wire at 6”.  If I try to make him wait while I open the gate, he jumps into multiple wire strands like a WWI soldier on the battlefields of Somme.  After witnessing this several times I concluded it was safer (for him and I) to let him go under.  I reached for my beanie as I watched Olive chase after Buddy, who had a 5 second lead.  When she caught up to him and chomped his neck I chuckled at the thought that I used to be the target of her biting bitchiness. 

When I reached the halfway point up the hill I noticed the wind had picked up quite a bit and was thankful I brought the small umbrella with me. The gigantic one I used last week would be destroyed in 3 seconds, I thought to myself.  I made my way to the top and began unpacking the gear at my favorite spot, excited at how great these shots would be with the dramatic skies.  I hooked up the lighting gear and as is often the case when I focus on something else for 30 seconds, Buddy was gone. 

He disappeared for the first time a month after we adopted him. When I called him back using his e-collar he back-tracked to our starting point, underneath the barbed wire, and to our house.  Our neighbor picked him up and called me to let me know he was safe.  (I’ve since learned that Buddy has a terrible sense of direction and may be the reason he’s a failed hunting dog).

I jumped up, beeped the collar, and started looking for him.  Almost immediately I saw him only a few yards away and was relieved he hadn’t gone back to the gate.  I’d never seen him roll in the grass like that, but I instantaneously knew why.

Dogs roll in shit for a number of reasons.  One of the most popular theories is that it masks the dog’s scent for hunting purposes.  They all do it, it’s universal and natural, but a muscular, energetic hound dog fully covered in fresh cow shit makes most humans irrational and angry, even if only for a few seconds.

Fuuuuuuuuuu…I screamed from the hilltop (literally) and scolded Buddy like a third grader who has torn his pants before class on picture day.  Lots of  “I can’t believe…….what are you doing……why…..get over here now……sit down”  nonsense came out of my mouth.  For 5-7 seconds I was my mother until I regained composure and realized I was talking to a dog.  I walked back to my gear and disgustedly ordered Mr. shitty pants and Olive to sit on the rock.

I picked up my gear and lowered the light into place at the same moment a gust of wind caught the umbrella and blew it 90 degrees to the right.  Olive promptly jumped down and ran to my pocket for a treat.  Every shutter click means a reward and she’s a genius at starting her forward motion a nanosecond before the shutter clicks.  Her movement caused Mr. Fecal Fur to amble over as well, his manure covered collar coming within inches of my face, causing me to stifle a gag. I got them set again and got into position so we could continue. 



Moving Just Before the Shutter Clicks


At this point, I think It’s appropriate to step back and take a snapshot of what being “in position” and ready means.

Whereas there are three distinct roles in this endeavor, there is only one of me in these hills and I must dutifully cover all three in order for a photo to be taken.  In no particular order these duties include photographer, lighting assistant, and dog wrangler.

In this scenario my left arm is the lighting assistant, holding a 5’ light stand at a downward angle with a 5 lb weight and windsock attached to the top.  Despite Lefty’s best efforts, he’s failing at keeping the windsock directed into the wind at the dogs.  My right hand and legs are the photographer.  This gaggle of limbs is holding the camera with one hand, while doing deep knee bends for 30 seconds at a time to get the correct angle.  Lefty is screaming in the photographer’s ear like a distressed boat captain that he can’t take much more and we’re about to have a catastrophic light failure.  Meanwhile, my dog wrangling consists solely of my voice and I can vaguely hear it screaming at Olive and Mr. Dung Diver to please “Just sit the f&ck down and stay”!! (Not approved by the National Association of Dog Trainers).





I think we lost the light, Captain


Suddenly I hear Lefty Scream “She’s coming down!”

A gust of wind had caught the umbrella and it swung to the right, striking my face. 

“Are you OK?” he screamed again.

“Yes, a small flesh wound, but we have a severely wounded soldier”, I replied.

The light stand had fallen and the umbrella took the brunt of the impact, the spines bent and splayed like an octopus gasping for air out of water.  I must have clicked the shutter because Olive and Mr. Manure man came running over for a treat.  Another gag.


Time for a treat, right?


“What did I tell you guys about sitting and staying?” I said, channeling my mother one more time.

I did a quick assessment and decided it was time to leave.  I packed up the camera gear and realized there was no chance the umbrella could be sheathed in its mangled condition, making it impossible to carry out.  I gave a quick invocation and then abandoned it like a dead hiker on Mt. Everest.


As I made my way down the hill and the rage began to dissipate, I had a chuckle about the whole experience.  There was Buddy gleefully running about, sniffing the drainage inlets.  There was Olive, nudging my pockets for treats, stopping for a quick bite of shit, then making her way towards the gate.   Seeing their joy quickly brought things back into focus and reminded me of why I go into the hills in the first place.  It would have been nice if they’d sat on that rock for a photo, though.

Friday, December 8, 2017

Tree Walker Coonhound





"Are you shitting me, he's stuck again?", I thought as I ran towards the scrub oak I saw him disappear into.

A week before, Buddy climbed 15 feet up into a tree and found that he couldn't get down without my help.   I thought it was a one-off and had a good laugh about it while relaying the story to friends and family. The second time made me realize this behavior is way down deep in his canine DNA and I'd have to watch him closely moving forward.






We adopted Buddy several months ago and as far as we know he's a 3 year old TreeING Walker Coonhound which are bred specifically to tree raccoons (Purist owners get pissed when you suggest they have a "Tree Walker", but this is exactly what Buddy is).  His behaviors and physique lead me to believe he was, in fact, trained as a hunting dog and wasn't just a pet.  His outward appearance is very typical of a coonhound, but he's pure muscle from his neck to the floor.  In fact, he's so thick we often joke it appears he's wearing a child's hulk costume.  He also has a v notch on his left ear, indicative of being branded. He doesn't like dog play or toys and he's intensely focused on the horizon (often siting and watching for hours). The moment I put a training collar on him, I learned he has perfect recall.  He was bred to hunt.




As I approached the tree I could see he was in the canopy, some 10 feet off the ground, surrounded by smaller, protruding branches that might impale his body if he tried to jump down.  He let off a small whimper, letting me know he was stuck, but his relentless DNA informed him to look upwards and continue the never-ending pursuit of critters.  I spoke to him in my calmest voice, hoping to keep him from panicking and jumping down.  I cleared out most of the small branches to give myself a window and prepared to ascend.

I grabbed a branch as high as I could and started pulling myself up, immediately lamenting all the days that have passed since my last triceps workout (345?) when my arms gave way just slightly.  Climbing trees didn't factor into my fitness matrix in year 47 yet here I was, in a tree, rescuing a goddamn 70 lb. muscle-head with limited planning skills. When I reached his level I grabbed his collar and he immediately welcomed me up and asked me to join in the hunt by breaking into a deep, joyous, hound song, the one his tribe has sung for millennia.




If you've never had the joy of listening to this song from a distance of 6 inches, I'll try to give you an idea of what it's like.  Do you remember the band Metallica? It's like pressing one ear against a 35 foot stack of marshall amplifiers turned to 11 and having James Hatfield scream in your other ear while they play Master of Puppets. Peaceful, really.




After a lot of coaxing (and promising to join him in the trees on the next hunt), he agreed to come down, jumping into my arms like a 70 lb sack of muscle participating in a game of "Trust". As I turned to set him down I saw a neighbor standing in her driveway and I waved sheepishly.  It seems she also heard Buddy's 6:45 a.m. vocal solo and rose to witness the spectacle. When I turned back to to Buddy, he was already way off in the distance, on another scent, a slave to that desperate drive to track, a joyous prisoner to his DNA.